Byron Westbrook is an artist and composer based in Los Angeles, CA. He works with both music performance and installation formats, with a focus on architectural qualities of sound and exploring the potential for audio to generate visual and social spaces. Westbrook’s work has been shown at the Walker Art Center (Minneapolis), ICA London, Cafe OTO (London), MoMA PS1, Fridman Gallery, Abrons Arts Center, Pioneer Works, ISSUE Project Room, Experimental Intermedia Foundation (NY), MaerzMusik Festival (Berlin), Rewire Festival (Den Haag), MOCA Los Angeles, Human Resources (Los Angeles), the LAB (San Francisco), Disjecta (Portland, OR), Experimental Sound Studios (Chicago), Instants Chavires Art Space (Paris), Fylkingen (Stockholm), O’ (Milan), Suoni Popolo, Akousma Festival (Montreal) among others. He has released recordings with Important Records, Ash International/Touch, Hands in the Dark, Umor Rex, Root Strata and Psychic Troubles. His debut LP Precipice was named by Pitchfork as #4 best experimental release of 2015.
Westbrook holds an MFA from Bard College, where he studied with Laetitia Sonami, Marcus Schmickler, David Behrman, Matana Roberts and Marina Rosenfeld. Previously a long-time resident of New York City, he worked closely with Phill Niblock from 2005-2014 to produce, record and archive concerts at Experimental Intermedia Foundation. Westbrook has received awards from the Jerome Foundation, Foundation for Contemporary Arts and New York State Council on the Arts. He has been in residence at Civitella Ranieri Foundation, Banff Centre for the Arts, ISSUE Project Room, Clocktower Gallery, Diapason Gallery, Wassaic Project and EMS Stockholm and has been visiting faculty with Pratt Institute’s Graduate Fine Arts Dept, Columbia University Sound Arts MFA, and International Center of Photography’s New Media Narratives program. He currently hosts the monthly radio program Chromatic Fields on dublab radio, which explores overlap in ideas between music making and visual arts practice.
“..Byron Westbrook’s Shelter Press debut is his most mesmerizing album to date – a set of electroacoustic pieces that advances the rough blueprints laid out by legends like Maryanne Amacher, Bernard Parmegiani and Luc Ferrari.. Every time we’ve played it, we’ve heard something completely different, and that’s not an easy task – if you’re at all interested in electroacoustic music, ‘Translucents’ is just about as good as it gets.”
–Boomkat review of Translucents
“Over the past few years, Byron Westbrook has been one of the most interesting and distinctive composers in any genre.”
-Marc Masters, Bandcamp Daily
“In the crowded field of drone-based ambient composers, Los Angeles’s Byron Westbrook stands as one of the most rigorous and interesting.”
-Dave Segal, The Stranger
Selected Press:
- The WIRE Magazine reviews Translucents, September 2024
- Bandcamp Daily reviews Translucents in Acid Test column, 2024
- Steve Smith reviews Translucents on Night After Night, 2024
- Boomkat review of Translucents, 2024
- Radio France GRM program features Byron Westbrook, 2024
- BOMB Magazine: Jacqueline Kiyomi Gork interviewed by Byron Westbrook, 2024
- KCSB Santa Barbara Radio interview with Byron Westbrook, 2024
- ATTN:Magazine Crucial Listening podcast interview with Byron Westbrook, 2021
- Cyclic Defrost interview with Byron Westbrook, 2021
- Pitchfork includes Byron Westbrook in 7 Best DJ Mixes of September, 2021
- Chicago Reader review of Mirror Views, 2021
- Dusted reviews The Harmonic Series II compilation, 2021
- Foxy Digitalis Interview with Byron Westbrook by Brad Rose, 2021
- The WIRE Magazine reviews The Harmonic Series II, Oct 2021
- Cyclic Defrost Featured Mix by Byron Westbrook, 2021
- Fifteen Questions Interview with Byron Westbrook, 2021
- Boomkat review of Mirror Views, 2021
- MOJO Magazine review of The Harmonic Series II by Andrew Male, 2021
- The WIRE Magazine reviews Mirror Views, Sept 2021
- Foxy Digitalis announces Mirror Views CD, 2021
- The Quietus features The Harmonic Series II compilation in “The Lead Review”, 2021
- The Vinyl District reviews The Harmonic Series II compilation, 2021
- Bandcamp Daily review of Distortion Hue in “Acid Test” Column, 2021
- Pitchfork includes “Variations on Distortion” in their 8 Best Mixes of February 2021
- New Commute features “Ricochet Waves” live performance video, 2021
- Interview and Guest Mix for Slow Breathing Circuit, 2021
- Dusted reviews Distortion Hue, 2021
- The WIRE Magazine reviews Distortion Hue, 2021
- Foxy Digitalis reviews Distortion Hue, 2021
- Boomkat review of Distortion Hue, 2021
- The Road to Sound premieres “Refraction Haze” track, 2021
- Digital in Berlin “11+3 Interview with Byron Westbrook”, 2021
- Fluid Radio premieres video for ‘Grey Canyon Echo’, 2021
- Self-Titled magazine announces Distortion Hue LP, 2020
- Dave Segal of The Stranger previews Seattle performance, 2020
- The Quietus includes Voice Damage in 10 Best Tape Releases of 2019
- TinyMixTapes reviews Voice Damage Cassette, 2019
- Brooklyn Rail previews Fridman Gallery Concert, 2019
- GROOVE Magazin reviews MaerzMusik’s The Long Now event, 2019
- Interview Magazine recommends Byron Westbrook in preview of MaerzMusik’s The Long Now event, 2019
- Bandcamp Daily reviews Voice Damage Cassette in “Best Experimental Music” Column, 2019
- The Quietus reviews Voice Damage Cassette, 2019
- The WIRE Magazine Feature on new minimalism, January 2019 issue 419
- Brooklyn Rail “Highly Selective Listings”, Summer 2018
- Resident Advisor features “Fractal Shift II” video from Confluence Patterns, 2018
- Son Of Marketing premieres “Fractal Shift II” video from Confluence Patterns, 2018
- Bandcamp Daily reviews Confluence Patterns cassette, 2018
- The Quietus reviews Confluence Patterns cassette, 2018
- Resident Advisor features “Glorious Mess” track from Confluence Patterns, 2018
- Resonance FM features Byron Westbrook as guest host of “Spool’s Out” program, 2018
- MOJO Magazine features “Glorious Mess” Track from Confluence Patterns, 2018
- FACT Magazine features the track “Glorious Mess” from Confluence Patterns, 2018
- TinyMixTapes announces Confluence Patterns Cassette on Umor Rex, 2018
- Le Drone: The Best of Last Year’s Experimental Music Compiled by Byron Westbrook, 2018
- Pitchfork Magazine reviews Body Consonance LP, 2017
- ATTN: Magazine interview with Jack Chuter, 2017
- BOMB Magazine “Field Recording by Byron Westbrook” Feature, 2017
- The WIRE online streaming premiere of Body Consonance LP, 2017
- LA PRESSE recommends Byron Westbrook as best of Akousma 14 Festival, 2017
- Richard Allen reviews Body Consonance for A Closer Listen, 2017
- DUSTED Magazine “LISTED” Feature, B.Westbrook writes about 10 influences on Body Consonance, 2017
- The Hum: on Byron Westbrook’s Body Consonance via Hands in the Dark, 2017
- Zweikommasieben Magazine: Byron Westbrook introducing artists he digs, 2017
- DUSTED Magazine reviews Body Consonance LP, 2017
- 20jazzfunkgreats on “Dance in Free Fall” track from Body Consonance, 2017
- Liberation Magazine “Le Son du Jour #194”, 2017
- The WIRE reviews Body Consonance LP, 2017
- The Attic reviews Body Consonance LP, 2017
- The Alcohol Seed reviews Body Consonance LP, 2017
- AdHoc premiere of “What We Mean When We Say Body Language” track from Body Consonance, 2017
- Self-Titled Magazine announces Body Consonance LP, 2017
- Perception, Spatiality and Affect: Intimacy in the Sound Art of Nikki Renee Anderson and Byron Westbrook
from Resonant Structures Exhibition Catlaog, Stony Brook University, 2016 - Pitchfork “The Best Experimental Albums of 2015” (Precipice is #4)
- UNCUT Magazine “The Best Albums of 2015” includes Precipice LP
- Suoni per il Popolo interview with Deanna Radford, 2015
- Chicago Reader previews Byron Westbrook performance at Experimental Sound Studio, 2015
- Village Voice preview of Precipice LP release event, 2015
- The WIRE reviews Precipice LP, 2015
- FACT Magazine full-album streaming premiere of Precipice LP, 2015
- ATTN Magazine reviews Precipice LP, 2015
- Decoder Magazine reviews Precipice LP, 2015
- DUSTED Magazine Reviews Precipice LP, 2015
- The Out Door “200 Words” texts on Precipice LP by Marc Masters and Byron Westbrook, 2015
- Self-Titled Magazine premieres “Fractal Shift” video, 2015
- Le Drone: Byron Westbrook’s Prismatic, 2015
- New Classic LA review of performance at The Wulf., 2015
- Droste Effect Magazine reviews Interval/Habitat exhibition, 2013
- LA Weekly Recommends Interval/Habitat exhibition, 2013
- Site95 Journal Interview, 2013
- Clocktower Radio Interview “Talking in Light and Sound”, 2012
- Philadelphia CityPaper feature, 2012
- Roulette Blog Interview, 2012
- Perfect Wave Magazine feature, 2011
- Clocktower Radio feature on CORRIDORS, 2011
- Root Strata Interview, 2011
- Baltimore Citypaper preview, 2011
- Video Interview by Maria Chavez, for Dead of Winter Works installation series, 2011
- WIRE magazine review of CORRIDORS, print issue 321, 2010
- WIRE magazine review of ISSUE Project Room performance, print issue 322, 2010
- DUSTED magizine reviews CORRIDORS, s/t cd, 2010
- Foxy Digitalis reviews CORRIDORS, s/t cd, 2010
- Brainwashed reviews CORRIDORS, s/t cd, 2010
- Aquarius records reviews CORRIDORS, s/t cd, 2010
- Vital Weekly reviews CORRIDORS, s/t cd, 2010
- Timeout NY preview of Apestaartje Festival, 2008